Hello! I hope you had a great Easter break.

Last month's Kassia shows went with a bang - Divas in Training and Feelin' Groovy were both well attended and enjoyed by all. Soho Collective singers performed to a maximum capacity crowd at the Rugby 7s – what a buzz that was (and if anyone needs any close harmony singing in Fijian or Samoan, you know who to call!).

I keep a book with a wish-list of themes, styles and eras for future shows - Motown has been on there since day one, it's just taken a bit of time to get there. So this month I am looking forward to 'Ain't No Motown High Enough' at the Academy for Performing Arts Drama Theatre. The women look and sound great and some of their moves are seriously funky.

Our female Soho Collective singers are also living the dream this month with a Madonna tribute show 'Into The Groove' – tickets are very limited and selling fast.

Also, I'm conducting my first ever choral evensong at St. John's Cathedral on Sunday 20th April in case you fancy music of a different genre – the service starts at 6pm.

 
 
Yours
 
 

Director, Katterwall

 
 
 
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MEET... Barry Lee

Katterwall's Women's Choir Accompanist

K: What's your background?
C: "I started learning piano when I was 7 but I didn't really like it until I was 16 when I met my last piano teacher. I also started singing in my school choir from 11, and conducting from 12 - coaching my class choir for a competition every year. I took up conducting again at my Residential Hall at HKU while I was doing my music degree. Upon graduation, I worked with HK Arts Festival and Edward Lam Dance Theatre."

K: How did you get involved with Katterwall?
C:"I  met Bethan in 2000 when I auditioned for the first choir she set up at HKYAF. I sang with her for almost a year and then we lost contact with each other. I met her again at the last performance of the HKAF 2003 where I was working in Customer Services. I was talking with my colleagues about what we would do when we were unemployed. Then the next day Bethan asked if I would like to help set up a choir with her. And that's how I started, helping her with Kassia Women's Choir once a week until 2005 when I started working as a full-time administrator.

K: What's been your scariest moment so far?
C: "I guess they are from two Women's Choir concerts. We booked City Hall for "Stocking Filler"in 2004 but it had a fire ten days before the concert. Luckily, Island School lent us their school hall. For "Disco Divas" in 2005 at the HKAPA, there were some mis-communications between me and the stage manager. We didn't have a keyboard when I turned up at the venue at 2pm on the day! I called Tom Lee and it was sorted - I don't know what would have happened otherwise!"

K: What are your fondest Katterwall memories from the past 5 years?
- When we got the Cultural Centre Concert Hall for the first Raising the Roof in 2005 with HK Welsh Male Voice Choir.
- Seeing Kassia Youth Choir on TV with local Pop Stars.
- Hearing Hullaballooers singing Cantonese songs.
- The sound that Kassia Men's Chorus made in their last Christmas concert 'Let it Ring, Let it Swing, Let it Snow!'

K: What are you looking forward to in the future?
C: "One day, local students will take vocal lessons as they take piano lessons; music teachers & school principals will understand it takes more than a mouth and two arms to be a choir conductor; and Kassia Choirs will tour China. And of course, one day Soho Collective will conquer the world!"

 

 
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IN FOCUS: Hong Kong Rugby Sevens & Katterwall
 
2005: Jo-Anne Trevenna & Olivier D'Molina perform 'Time To Say Goodbye' to mark the end of the World Cup Rugby Sevens.

2006: Eight Soho Collective members sing 'Happy Birthday' to the Rugby Sevens and 'Hey Baby' to the South Stand.

2007: Bethan gives a talk on the history of 'Music At The Rugby Sevens' for SKAL – the Travel and Tourism.

2008: Eight Soho Collective members perform a cappella national anthems and Jo-Anne Trevenna and Matthew Hale perform 'Time To Say Goodbye' before the cup final.


 
 
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3rd & 4th April: 'Into The Groove – A Madonna Tribute' with Soho Collective@ Backstage
Like A Prayer, Vogue, Papa Don't Preach, Music...
LIMITED TICKETS from Katterwall Tel: 2575 3931

10th & 11th April: 'Ain't No Motown High Enough'
with Kassia Women's Choir@ HKAPA
Heatwave, My Guy, Signed Sealed Delivered, Stop! In The Name Of Love...
Tickets from HK Ticketing Tel: 31 288 288

ALSO

20th April: Sung Evensong @ St. John's Cathedral, 6pm. Conducted by Bethan Greaves

 
     
Thought for the day...  
 
 
"Starting with a party scene for 600 and end up singing on top of a giant elephant - does it get any better than this?"

- Ewan McGregor on Moulin Rouge 

 
     

   
 On another note...
 

 
Q: Why did Tchaikovsky move around all the time?
A: Because he composed a piece in five flats...
   
     
What's on your iPod?  
 

From Harry Yung, Kassia Men's Chorus founding member

My choice: 'Grandfather Clock'

Artist: Ken Hirai from his album 'Ken's Bar'

 
"There is a certain fascination in hearing a song you have known backwards for years sung in a foreign language. The song is 'Grandfather's Clock' which is at once poignant and humourous. The singer is Japan's immensely popular Ken Hirai whose hauntingly captivating tenor voice is perfect for the song. The album is quite unique: before the languid piano even starts, you actually hear footsteps of the singer walking to his stool. Close you eyes and you are right in the bar. All the other songs (Lovin' You, The Rose) are sung in English."
 
     

     
 Tongue Twister...  
 
 
Flash Message
 
     
Partner  
 

 

Katterwall Ltd. Tel: +852 2575 3931 Fax: +852 2542 2442
Rm 805, Arion Commercial Centre, 2-12 Queen's Road West, Sheung Wan, Hong Kong
For general enquiries, please contact Celia Leung at info@katterwall.com