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Hello! I hope you had a great Easter break.
At the weekend Soho Collective singers performed to a maximum capacity crowd at the Rugby Sevens – what a buzz that was (and if anyone needs any close harmony singing in Zulu or Samoan, you know who to call!). Last month's Kassia shows also went with a bang - Divas In Training and Feelin' Groovy were both well attended and enjoyed by all.
I keep a book with a 'wish-list' for future shows - Motown has been on there since Day 1, it's just taken a bit of time to get there! So this month I'm really looking forward to Kassia Women's Choir's 'Ain't No Motown High Enough' at the HKAPA Drama Theatre in Wanchai. The women look and sound great and their moves are seriously funky – tickets are available from HKTicketing now.
Our female Soho Collective singers are also living the dream this month with a Madonna tribute show 'Into The Groove' – tickets are very limited and selling fast – contact Kim in the office for details.
Also, I'm conducting my first ever choral evensong at St. John's Cathedral on Sunday 20th April in case you fancy music of a different genre – the service starts at 6pm.
And last but not least we extend a big 'hello!' to Katterwall's latest teacher Danijela Junge who has moved to Hong Kong via Croatia, Serbia and the Netherlands. She is available to teach students aged 15+ on Saturdays and weekday evenings. Drop Celia a line in the office for more details.
Yours |
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Director, Katterwall
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MEET... Barry Lee
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Kassia Women's Choir Accompanist
K: What's your musical background?
B: I grew up in a non-musical family. My first musical experience was on a 1980's Casio calculator that played musical tones by pressing the keypad. It had a demo song and I discovered I could play the song by ear. I was about 5 years old and begged my mom to let me take piano lessons. Then when I was 9 I was awed by Tchaikovsky's 'Violin Concerto' and again begged my parents to let me take violin lessons in addition to piano.
The funny thing is that at a point I loved violin more than piano mostly because it is easier to play. On a violin you play a single melody line whereas on the piano it is always the melody plus something else. Let me fast-forward a bit. I was very fortunate to enter New Jersey City University to study piano with Dr. Min Kim, who is a Korean-Canadian pianist, she totally transformed my playing and most importantly, she made me finally love and enjoy playing piano. When I finished my undergraduate degree, I was fascinated by the possibilities outside traditional music and decided to study a graduate program on music technology at New York University.
K: What do you do when you're not in rehearsals with Kassia Women's Choir?
B: I work as a full-time musician, I split my work time between teaching, accompanying, conducting, consulting, and running my own company.
K: What's your favourite genre of music?
B: I've tried pop, jazz, R&B, rock, progressive, funk, even rap but my favourite is still classical, perhaps because of its unlimited depth and width. It is really a tough decision for me because one moment I am listening to Pink Floyd and then a minute later a Bach's fugue and I love them both.
K: Please share your best non-Kassia performing memory:
B: I was performing a 4-handed version of Beethoven's 5th Symphony with a friend. The music was quite furious and I accidentally tore off a page from the book - it flew away and landed on the stage so I tried to pick it up while keeping the music alive with my other hand. It was hilarious!
K: What are your hobbies (outside of music!):
B: I love reading and also watching football (soccer) - I follow the English Premier League closely.
K: What is the most enjoyable part about working with Kassia Women's Choir?
B: There are so many wonderful people who make my job really enjoyable. Working with Bethan is a joy - she is one of the most musical people I've ever met. I would like to say special thanks to Celia, she's not only a great friend, her page-turning skills are second to none.
K: What would you like to see Kassia Women's Choir do in the future?
B: I think Kassia should do a concert of Schoenberg, singing all atonal music... nah... just kidding! How about a Celtic "Enya" style concert? Another long shot: How about Pink Floyd's "Dark Side of the Moon"? I listened to an a cappella version of it and it sounded very cool. [Now there's something to think about - Ed.]
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Thought for the day... |
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"Starting with a party scene for 600 and end up singing on top of a giant elephant - does it get any better than this?"
- Ewan McGregor on Moulin Rouge
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On another note... |
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Q: Why did Tchaikovsky move around all the time?
A: Because he composed a piece in five flats...
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Tongue Twister... |
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Flash message
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What's on your iPod? |
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From Harry Yung, Kassia Men's Chorus founding member
My Choice: 'Grandfather Clock' Artist: Ken Hirai from his album 'Ken's Bar'
"There is a certain fascination in hearing a song you have known backwards for years sung in a foreign language. The song is 'Grandfather's Clock' which is at once poignant and humourous. The singer is Japan's immensely popular Ken Hirai whose hauntingly captivating tenor voice is perfect for the song. The album is quite unique: before the languid piano even starts, you actually hear footsteps of the singer walking to his stool. Close you eyes and you are right in the bar. All the other songs (Lovin' You, The Rose) are sung in English."
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Partner |
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Katterwall Ltd. Tel: +852 2575 3931 Fax: +852 2542 2442
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Rm 805, Arion Commercial Centre, 2-12 Queen's Road West, Sheung Wan, Hong Kong
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