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Hello! I love October as it marks the start of
Kassia Choir's year. I've been auditioning new singers throughout the summer
and rehearsals for 'A Kassia Christmas Carol' start week beginning 6th October. I'll fill you in with further details next month.
October also sees us welcoming one new part-time
teacher, Yen Yen Ng. See below for Yen's interview in
this month's 'Meet...' She comes to Katterwall with a wealth of
vocal experience – Yen most recently
appeared in Hong Kong Opera's production of 'Don Carlo'.
The recipient of our Katterwall HKAPA Vocal
Scholarship for 2008-09, which takes the form of a free one-on-one singing
lessons for the entire academic year, started with Matthew recently. Melodee
Tse is a 2nd year drama student who demonstrated enormous vocal
potential in the audition process and I for one am really excited to hear how
she improves over the course of the year.
It's the time of year we start to wind up to
'silly season' - hurrah!
Speaking of choral, I'm singing with a brand new
choir 'Die Konzertisten' who will be performing three of Bach's Motets at St.
John's Cathedral on 19th September under the baton of Micheal Ryan.
Yours |
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Director, Katterwall
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MEET...
Yen Yen Ng
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Katterwall's new part-time
singing teacher
Katterwall: What is your singing
background?
Yen Yen: I started singing when I was 3 or 4, imitating
pop-stars in front of classmates and sister who made fun of me! I picked up the
taste for classical music in Secondary school where my music teacher encouraged
me to join the choir and solo competitions in music festivals. After secondary
school, I went to Montreal, Canada, to study French and Music where I was led
by people who genuinely loved music and taught me to enjoy the process. Now
that I've returned to HK, I continue to spread the joy of singing by teaching
and performing.
K: What
is your favourite style
of singing?
Y: I am quite simple and sing almost everything that I come
across. I find that light soprano opera arias and French melodie best suit my
colour, but personally I love Spanish / Latin influenced jazz such as Nat King
Cole and Frank Sinatra.
K: Please
share your best performing memory.
Y: In the Opera Hong Kong production of Carmen, the set had a 2 story
high bridge across the stage. In one scene, we had to run all the way up, sing
on the bridge and RUN back down whilst still singing, trying not to step on
each others’ trains, and pulling each others' hair, real or wig.
K: What
are your hobbies, other than singing!
Y: I love sports, all kind of sports, I love being sweaty. I
also like travelling and, believe it or not, knitting.
K: What
is your full-time job?
Y: I am an administrator in a French testing lab,
translating French to English / English to French and occasionally from French
to Chinese / Chinese to French.
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IN FOCUS:
Opera Hong Kong
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I recently had the opportunity to perform with Opera Hong Kong in their
production of Don Carlo. (Thank you to
everyone who came – especially the first time opera goers!) I was also
fortunate enough to have a vocal lesson with Alfredo Zanazzo (King Philip) and
to watch him teach and coach some of my OHK colleagues.
This experience, above most any performing experience I've had, has left
a lasting impression on me, both personally and professionally. The opportunity to work in such close
physical proximity to such experienced professional singers affords you the
opportunity to really examine their technique and artistry. There is a passion exuded by many of these
performers that cannot be taught or learned.
It is a true dedication to their art and it is so contagious.
As a singer, I cannot tell you how invaluable this is to me. You watch someone do something and think,
“how on earth?...” and then you go home and try to work it out. For me, it was real confirmation that singing
is like every other job on earth, in order to succeed, you must put in the work
and with the work can come incredible results.
Without question, this has had an enormous effect on my teaching. I was reminded how important it is to go back
to basics, to instill the proper foundation into my students so that we can
build from the bottom up. I was also
reminded how important it is to enjoy singing and that sometimes, you just have
to trust your body to remember the technique and just sing because you love it.
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Thought for the day... |
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No good opera plot can be
sensible, for people do not sing when they are feeling sensible.
W. H. Auden, English Poet
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On another note... |
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Vibrato
n. A technique used by singers to hide the fact
that they are on the wrong pitch.
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Tongue Twister... |
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Lovely
lemon liniment
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What's on your iPod? |
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Celia Leung, Katterwall's General Manager
My Choice:
‘觸不到的面’ from the musical ‘遇上1941的女孩’
This
musical was premiered in 1993 and re-run in 2000 by Actors Family. It was a big
hit as an original musical. The story is very simple. It is about a boy from
1999 didn’t enjoy his life and somehow went back to year 1941. He met a
girl and fell in love, in the middle of a war. ‘觸不到的面’ (‘Face can’t be reached’)
is a duet sung by the 2 main characters about them loving each other but they
couldn’t be together.
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'The First Five Years' on iTunes |
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Katterwall Ltd. Tel: +852 2575 3931 Fax: +852 2542 2442
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Rm 805, Arion Commercial Centre, 2-12 Queen's Road West, Sheung Wan, Hong Kong
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